The above photo shows dancing girls wearing patterned
garments, from the tomb Qenamun at Thebes. Most of the colored garments depicted,
especially before the New Kingdom, are worn by foreigners or servants.
The
main purpose of clothes in ancient Egypt was not to cover the body of our ancestors since the ancient Egyptian society made no connection between concealing the nudity and
morality. In contrary , men, women, children and even gods were often depicted
naked with no intention of erotic representation.
In
the extreme antiquity, clothes served thus in a practical manner to protect
parts of the body against the sun heat or the bitter cold. It was gradually
then that clothing became a sign of social distinction, a manifestation of
status and even exhibition of wealth. The ancient Egyptians stayed however along their history, and
thanks to the moderate climate of Egypt, content with the simplest
pieces of clothes which are wrapped around the body in a practical manner ,
sewing being limited to the minimum.
The
dress of the ancient Egyptian consisted not simply of the clothes they wore but
also of elaborate costume jewellery which served to embellish their usually
plain garments, wigs and striking cosmetics. Their clothing was simple and did
not change a great deal over the millennia, although more elaborate styles did
appear during the new kingdom. The universal material was linen, which was
light and cool to wear. Wool seems almost never to have been used, possibly
because of religious taboos. Garments were draped round the body rather than
tailored, and sewing was kept to a minimum. The chief form of decoration was
pleating, and from examples of garments which have survived it is clear that a
mechanical process was used to put the small, regular pleats into the cloth and
that some form of starch or size was used to fix them. The nature of the
implement which created the pleats is unknown, but may have consisted of a
broad cut in peaks and grooves into which the cloth was pressed.
Coloured
or patterned cloth was rarely used. One reason for this is that it is very
difficult to fix dyes into linen without a mordant, the use of which was
unknown in ancient Egypt. Garments with coloured patterns are depicted in tombs
an a few examples have survived, but the technique of their production was not
native. IT was developed in the Near East and only brought into Egypt with the
introduction of the vertical loom. The use of woven patterned textiles by the
Egyptians was never widespread and may have been limited to the royal
household.
Let
us briefly survey the changing fashions of ancient Egypt up to the New Kingdom,
after which there was little change or development. The basic costume for men
was a kilt, falling to just above the knee and made of a rectangular piece of
linen folded round the body and tied at the waist with a knot or fastened with
a buckle. Variations on this simple theme include a squared end, a rounded end,
a starched front forming an apron, and pleating. In the Old Kingdom this is the
only type of male costume depicted, although a cloak of some sort must have
been added for cool whether. Official and ceremonial attire was more
complicated. Priests for example wore leopard skins wrapped around their torso
and falling over the kilt like an apron. Working men often wore only a twist of
linen around their loins or went naked. Children are also frequently depicted
naked, as are those indulging in rigorous exercise.
Women
wore simple sheath dresses falling from breast to just above the ankle These
appear to have been made of rectangle of material sewn down one side, roughly
hemmed and with straps attached to the top edge to support the dress. Their
extreme figure-hugging style may be put down partly to artistic licence- the
desire of the artist to show the form of the body beneath. Examples of dresses
which survive from the early period are much more baggy and have sleeves.
Indeed, if the dresses were as tight as portrayed, they would have been difficult
to put on , let alone walk in.
During
the Middle Kingdom pleated clothing became far more common and although men
continued to wear the short kilt, a longer, straighter style appeared which was
fastened on the chest and fell to the shins. Representations of this type of
kilt indicate a series of wide horizontal pleats which may in reality have been
fold-marks in the cloth. These maxi-kilts were frequently worn over the top of
a short under-kilt. At this time clothing for the upper part of the body is
also shown. It consists of a bag-like tunic made simply from a rectangular
piece of material seamed on the sides, with holes left for the arms and another
hole cut in the center for the head. And enveloping cloak also appears, wrapped
round the body, although one shoulder was sometimes left bare. The edges of
this garment are frequently fringed. The style of female dress changed little
during the Middle Kingdom, although the colors and patterning became popular
among working women.
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